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Inverno Intarsia Limited Edition
Intarsia Limited Edition
Sideboard with brushed burnished brass legs, inlaid doors and structure. Fitted with push-pull doors, internal shelves and two drawers.
Inverno sideboard is produced in a Limited Edition of 21 multiples only.
A smooth rectangular sideboard, part of the natural aesthetic perception of trees, sunsets, starry skies: a piece of nature ready to be transformed. A smooth rectangular block like ice, included into a rose garden surrounding it on all the five sides. The rose is the only witness of the garden’s flowering, where its two thorns have become drops of blood, to remind us that beauty might hurt and should be handled with care.
Sideboard with brushed burnished brass legs, inlaid doors and structure. Fitted with push-pull doors, internal shelves and two drawers.
Inverno sideboard is produced in a Limited Edition of 21 multiples only.
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A smooth rectangular sideboard, part of the natural aesthetic perception of trees, sunsets, starry skies: a piece of nature ready to be transformed. A smooth rectangular block like ice, included into a rose garden surrounding it on all the five sides. The rose is the only witness of the garden’s flowering, where its two thorns have become drops of blood, to remind us that beauty might hurt and should be handled with care.
Inverno is a limited-edition sideboard with inlays supported by burnished brass legs.
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The design of Inverno is inspired by a rose garden which surrounds the sideboard on the five sides.
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The design, result of the creativity of our artists, turns this sideboard into an art multiple, for customers looking for unique products.
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The rose thorns become drops of blood on the top of the sideboard, to remind us that beauty should be handled with care.
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Our craftsmen turn this creative project into a real product available only in 21 multiples.
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Internally, the sideboard is fitted with two drawers and one shelf to elegantly store precious objects.
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Inverno is an inspiring sideboard: an invitation to observe the design and reflect on its meaning.
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The inlays decorate the front, back, sides and the top of the sideboard, so you can appreciate the design from different points of view.
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Limited edition sideboards like true art pieces
Famous artists and designers well known on the international scene such as Aldo Rossi, Emilio Tadini, Bruno Gregori, Hsiao Chin, Robert and Trix Haussmann and Fausta Squatriti exclusively created for Laurameroni paintings to be reproduced, using the ancient inlay technique, on a sideboard characterized by essential lines.
Laurameroni Art Collection sideboards feature a mosaic created through various kind of wood veneers, in different essences and colours, patiently combined to reproduce the artist's original painting.
The Intarsia Collection was created to appreciate and relive the local tradition of an ancient technique: that of inlay. They are a product designed to be reproduced in a limited edition and in numbered pieces, signed and certified by the artists and craftsmen themselves.
Intarsia also represents direct contact with simple and pure raw materials, taking shape through the manual skill and scrupulous dedication of our craftsmen, reinvented and modernized by the imagination and experience of our designers.
The sideboards of the Intarsia Collection are design furniture transformed into real paintings.
Limited edition sideboards like true art pieces
Famous artists and designers well known on the international scene such as Aldo Rossi, Emilio Tadini, Bruno Gregori, Hsiao Chin, Robert and Trix Haussmann and Fausta Squatriti exclusively created for Laurameroni paintings to be reproduced, using the ancient inlay technique, on a sideboard characterized by essential lines.
Laurameroni Art Collection sideboards feature a mosaic created through various kind of wood veneers, in different essences and colours, patiently combined to reproduce the artist's original painting.
The Intarsia Collection was created to appreciate and relive the local tradition of an ancient technique: that of inlay. They are a product designed to be reproduced in a limited edition and in numbered pieces, signed and certified by the artists and craftsmen themselves.
Intarsia also represents direct contact with simple and pure raw materials, taking shape through the manual skill and scrupulous dedication of our craftsmen, reinvented and modernized by the imagination and experience of our designers.
The sideboards of the Intarsia Collection are design furniture transformed into real paintings.
Inverno: the unpredictability of nature and art
Fausta Squatriti, born in Milan in 1941, set her work from the very beginning as an artist on the leitmotif of research, which has led her to engage over time in a wide-ranging exercise of creativity.
A style that cannot be traced back to any particular current or dates, a feature making her works unexpectedly topical, full of palpable energy.
In the Inverno sideboard, as in all of her works, Fausta Squatriti wants to use every expressive means that can give richness, with very different and opposite elements, looking for a contradiction.
The sculptures and paintings generate complex enigmas in which, with elementary forms composed on the plane, hypotheses of growth and transformation through the equivalences between full and empty are being developed, meaning that every possible construction has an unpredictable destiny. Volumes cut, displaced, unbalanced, but also corrupted by overlapping, growths, improper figures questioning the simplicity and purity of the forms they cling to.
Even in Inverno, critical reasoning on precariousness is wisely implemented, in this case of nature and its beauty, warning about fragility but also about the danger of losing a vision of the world as we know it.
Inverno: the unpredictability of nature and art
Fausta Squatriti, born in Milan in 1941, set her work from the very beginning as an artist on the leitmotif of research, which has led her to engage over time in a wide-ranging exercise of creativity.
A style that cannot be traced back to any particular current or dates, a feature making her works unexpectedly topical, full of palpable energy.
In the Inverno sideboard, as in all of her works, Fausta Squatriti wants to use every expressive means that can give richness, with very different and opposite elements, looking for a contradiction.
The sculptures and paintings generate complex enigmas in which, with elementary forms composed on the plane, hypotheses of growth and transformation through the equivalences between full and empty are being developed, meaning that every possible construction has an unpredictable destiny. Volumes cut, displaced, unbalanced, but also corrupted by overlapping, growths, improper figures questioning the simplicity and purity of the forms they cling to.
Even in Inverno, critical reasoning on precariousness is wisely implemented, in this case of nature and its beauty, warning about fragility but also about the danger of losing a vision of the world as we know it.
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Fausta Squatriti
Fausta Squatriti is a visual artist, a poet, a novelist and an essayist. Between 1966 and 1986, she is active as editor of numbered editions, especially art books, a genre that she diffuses through her teaching at the Academy of Fine Arts in Carrara, Venice and Milan. In Italy, she exhibited with Marconi, Mudima, Assab One, Weber & Weber; abroad, since 1968, with Pierre Lundholm, Alexander Iolas, Denise René, Karin Fesel. Visiting Professor at the University of Manoa, Honolulu, she held seminars and conferences in Italy and abroad. In Russia, the Moscow Museum of Modern Art dedicated her a personal exhibition in 2009; she also exhibited in Paris at the Centre Pompidou. Her sculptures are part of the collections of the Centre Pompidou and the Musée d'Art Moderne de la Ville de Paris. In 1985 she was the curator of "Art and Science: colour" at the Biennale di Venezia. In 1991, in collaboration with Teresa Pomodoro, she created a collection of furniture designed by artists for ABV.
Fausta Squatriti
Fausta Squatriti is a visual artist, a poet, a novelist and an essayist. Between 1966 and 1986, she is active as editor of numbered editions, especially art books, a genre that she diffuses through her teaching at the Academy of Fine Arts in Carrara, Venice and Milan. In Italy, she exhibited with Marconi, Mudima, Assab One, Weber & Weber; abroad, since 1968, with Pierre Lundholm, Alexander Iolas, Denise René, Karin Fesel. Visiting Professor at the University of Manoa, Honolulu, she held seminars and conferences in Italy and abroad. In Russia, the Moscow Museum of Modern Art dedicated her a personal exhibition in 2009; she also exhibited in Paris at the Centre Pompidou. Her sculptures are part of the collections of the Centre Pompidou and the Musée d'Art Moderne de la Ville de Paris. In 1985 she was the curator of "Art and Science: colour" at the Biennale di Venezia. In 1991, in collaboration with Teresa Pomodoro, she created a collection of furniture designed by artists for ABV.
