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Thought the traditional “cancellature” (wood erasures), this piece of furniture reflects the vision of a world where nature and culture are perfectly balanced, exorcizing that technological intelligence too often satisfied with artifice and fears and facing a reality that is unchangeable, despite its apparent mutability.


Limited edition sideboards like true art pieces
Famous artists and designers well known on the international scene such as Aldo Rossi, Emilio Tadini, Bruno Gregori, Hsiao Chin, Robert and Trix Haussmann and Fausta Squatriti exclusively created for Laurameroni paintings to be reproduced, using the ancient inlay technique, on a sideboard characterized by essential lines.
Laurameroni Art Collection sideboards feature a mosaic created through various kind of wood veneers, in different essences and colours, patiently combined to reproduce the artist's original painting.
The Intarsia Collection was created to appreciate and relive the local tradition of an ancient technique: that of inlay. They are a product designed to be reproduced in a limited edition and in numbered pieces, signed and certified by the artists and craftsmen themselves.
Intarsia also represents direct contact with simple and pure raw materials, taking shape through the manual skill and scrupulous dedication of our craftsmen, reinvented and modernized by the imagination and experience of our designers.
The sideboards of the Intarsia Collection are design furniture transformed into real paintings.
Limited edition sideboards like true art pieces
Famous artists and designers well known on the international scene such as Aldo Rossi, Emilio Tadini, Bruno Gregori, Hsiao Chin, Robert and Trix Haussmann and Fausta Squatriti exclusively created for Laurameroni paintings to be reproduced, using the ancient inlay technique, on a sideboard characterized by essential lines.
Laurameroni Art Collection sideboards feature a mosaic created through various kind of wood veneers, in different essences and colours, patiently combined to reproduce the artist's original painting.
The Intarsia Collection was created to appreciate and relive the local tradition of an ancient technique: that of inlay. They are a product designed to be reproduced in a limited edition and in numbered pieces, signed and certified by the artists and craftsmen themselves.
Intarsia also represents direct contact with simple and pure raw materials, taking shape through the manual skill and scrupulous dedication of our craftsmen, reinvented and modernized by the imagination and experience of our designers.
The sideboards of the Intarsia Collection are design furniture transformed into real paintings.


Le Formiche Nere: the art of speech and rebirth
Emilio Isgrò is an Italian artist and writer, known for the artistic language of "cancellation": an identifying mark describing the death of the language used by mass media and its rebirth in artistic work.
In Isgrò's works, the written texts are no longer those temples of knowledge kept in libraries, but works of art exhibited in the galleries to be contemplated by visitors; texts involving questions about their essence for the simple fact that some words are now illegible, erased with white-out or hidden with markers of different colours.
Another element used by Isgrò, as exhibited on our Formiche Nere sideboard, are insects, which cover white pages and empty spaces, confusing the meaning of the words. The ants express on the one hand the metaphor of decay and on the other a renewed vivification of manuscripts.
The erasure by Emilio Isgrò gains new conceptual life on the inlaid surface of our art sideboard, ready to stand out among the many magnificent works of the author, like a rebirth of the word enriched by new potentialities, activated by the reader's imagination.


Le Formiche Nere: the art of speech and rebirth
Emilio Isgrò is an Italian artist and writer, known for the artistic language of "cancellation": an identifying mark describing the death of the language used by mass media and its rebirth in artistic work.
In Isgrò's works, the written texts are no longer those temples of knowledge kept in libraries, but works of art exhibited in the galleries to be contemplated by visitors; texts involving questions about their essence for the simple fact that some words are now illegible, erased with white-out or hidden with markers of different colours.
Another element used by Isgrò, as exhibited on our Formiche Nere sideboard, are insects, which cover white pages and empty spaces, confusing the meaning of the words. The ants express on the one hand the metaphor of decay and on the other a renewed vivification of manuscripts.
The erasure by Emilio Isgrò gains new conceptual life on the inlaid surface of our art sideboard, ready to stand out among the many magnificent works of the author, like a rebirth of the word enriched by new potentialities, activated by the reader's imagination.



Emilio Isgrò
Emilio Isgrò, born in Sicily, is an Italian artist and writer, well-known for the use of the erasure technique in his artistic works. Isgrò makes his literary debut in 1956 with the poetry collection “Fiere del Sud” (Arturo Schwarz Editore). In 1964, he first begin erasing encyclopedias and other texts, making his personal contribution to the birth and development of visual poetry and conceptual art.
Emilio Isgrò
Emilio Isgrò, born in Sicily, is an Italian artist and writer, well-known for the use of the erasure technique in his artistic works. Isgrò makes his literary debut in 1956 with the poetry collection “Fiere del Sud” (Arturo Schwarz Editore). In 1964, he first begin erasing encyclopedias and other texts, making his personal contribution to the birth and development of visual poetry and conceptual art.
