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Кроме того, дверь доступна с коробкой вровень со стеной в варианте одинарной распашной, двойной распашной симметричной или двойной асимметричной.
Оличительным элементом этой двери является коробка Graffiti, которая благодаря своим размерам характеризует дверь как уникальную и хорошо узнаваемую. Коллекция Onda спроектирована для удовлетворения запросов клиентов, которые ищут элегантное решение, в котором дерево и особая резьба на нем являются ключевыми и хорошо узнаваемыми элементами, относящимися к дизайну поверхностей – одной из главных характеристик нашей продукции.

Paolo Rizzatto
Paolo Rizzatto was born in 1941 in Milan and graduated in Architecture in 1965 at the Milan Polytechnic. In his studio he works as a freelancer in the field of architecture, interior design, light design and design. In 1978 founded Luceplan together with Riccardo Sarfatti and Sandra Severi. Projects by him presented at Seminars or Exibitions of architecture and design, are included in the permanent collections of numerous Foundations and Museums.
He has been awarded numerous prizes, among which may be mentioned: three “Compasso d’oro” Prizes in 1981,1989,1995; La Lampe d’Argent Sil/Paris 1988 and Forum Design Cosmit/Milan 1988. His works have been published in magazines, catalogues and books in Italy and abroad.
Paolo Rizzatto
Paolo Rizzatto was born in 1941 in Milan and graduated in Architecture in 1965 at the Milan Polytechnic. In his studio he works as a freelancer in the field of architecture, interior design, light design and design. In 1978 founded Luceplan together with Riccardo Sarfatti and Sandra Severi. Projects by him presented at Seminars or Exibitions of architecture and design, are included in the permanent collections of numerous Foundations and Museums.
He has been awarded numerous prizes, among which may be mentioned: three “Compasso d’oro” Prizes in 1981,1989,1995; La Lampe d’Argent Sil/Paris 1988 and Forum Design Cosmit/Milan 1988. His works have been published in magazines, catalogues and books in Italy and abroad.
