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Imperfetto Imperfetto Collection
Imperfetto Collection
Family of tables and coffee tables characterized by important and at the same time essential shapes. Available in all the woods of the collection, smooth or lacquered, with metallic or special finishes, and in marble.
Part of the Imperfetto Collection they recall with elegance and style the modern design of the table from the same collection.
Available in various sizes and shapes, they are made to measure in all Laurameroni finishes, to ensure maximum compositional freedom, but above all a beautiful and well-made product.
Family of tables and coffee tables characterized by important and at the same time essential shapes. Available in all the woods of the collection, smooth or lacquered, with metallic or special finishes, and in marble.
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Part of the Imperfetto Collection they recall with elegance and style the modern design of the table from the same collection.
Available in various sizes and shapes, they are made to measure in all Laurameroni finishes, to ensure maximum compositional freedom, but above all a beautiful and well-made product.
Imperfetto coffee tables are extremely customizable, and perfect to create artistic compositions.
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Available in various finishes, they are here presented in Sahara Noir marble, "Rust" decoration, Green Parchment, Mahogany wood and copper green.
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Choose the design, shapes, sizes and finishes from the many options available.
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Imperfetto elliptical coffee table in Sahara Noir marble.
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Pair of hexagonal Imperfetto coffee tables in mahogany and with Green Copper decoration.
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Imperfetto coffee table in "Rust" decoration.
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Технические данные
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Материалы
Специальные виды отделки
Ruggine
Verde Rame
Pergamena Verde
Мрамор Sahara Noir
Sahara Noir
Гладкое дерево
Клен
Дуб
Тиковое дерево
Zebrano
Орех каналетто
Орех каналетто
красное дерево
Черное дерево
Дуб "Termocotto"
Палисандр
Венге
Особые породы дерева
Ziricote
"Faggio Antico"
Rosewood "India"
Stone Oak "Carbone"
Stone Oak "Tabacco"
Орех "Colore"
окрашенная древесина
Titanium AL1105
Grey AL1106
Sand AL1851
Black AL1853
Анилиновая краска
Доступно во всех цветах палитры RAL
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Материалы
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Каталог Armchairs, Sofas & Low Tables
ПОЛЕЗНАЯ ИНФОРМАЦИЯ
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Технические данные
Размеры и детали
Техническое описаниеДетали
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Материалы
Отделка и персонализация
МатериалыВсе виды отделки
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Каталог
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Каталогскачайте
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Изображения
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ИзображенияВысокое разрешение
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CAD - Файлы
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CAD - Файлыскачайте
ЗАПРОСИТЕ ИНФОРМАЦИЮ
ПОЛЕЗНАЯ ИНФОРМАЦИЯ
Ruggine
Verde Rame
Pergamena Verde
Sahara Noir
Клен
Дуб
Тиковое дерево
Zebrano
Орех каналетто
Орех каналетто
красное дерево
Черное дерево
Дуб "Termocotto"
Палисандр
Венге
Ziricote
"Faggio Antico"
Rosewood "India"
Stone Oak "Carbone"
Stone Oak "Tabacco"
Орех "Colore"
Titanium AL1105
Grey AL1106
Sand AL1851
Black AL1853
Анилиновая краска
Доступно во всех цветах палитры RAL
Скачать
Материалы
ROMANI SACCANI Architetti Associati
Fellow students since 1990, Michele Romani and Mauro Saccani, opened their associated studio in 1999.
Each of their concepts stems from a conscious inspiration from the past, as an act of synthesis between fantasy and concreteness.
A "mimesis" in the classical sense of the things of nature that are worthy of being reproduced, mediated by their own interpretation and by a constantly evolving sensitivity.
A suggestion translating into a simple but not trivial idea, understood as the ability to communicate the authentic meaning of things, as the first form of elegance and of rejection of the excess and habit of things.
ROMANI SACCANI Architetti Associati
Fellow students since 1990, Michele Romani and Mauro Saccani, opened their associated studio in 1999.
Each of their concepts stems from a conscious inspiration from the past, as an act of synthesis between fantasy and concreteness.
A "mimesis" in the classical sense of the things of nature that are worthy of being reproduced, mediated by their own interpretation and by a constantly evolving sensitivity.
A suggestion translating into a simple but not trivial idea, understood as the ability to communicate the authentic meaning of things, as the first form of elegance and of rejection of the excess and habit of things.
