Modern limited edition sideboard in wood with inlays designed by Jorrit Tornquist for luxury home.
Modern limited edition sideboard in wood with inlays designed by Jorrit Tornquist for luxury home.

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曼荼罗系列 Intarsia Limited Edition

Intarsia Limited Edition

这款边柜桌腿为拉丝金属质,柜门由天然枫木镶嵌制成。柜门使用全新按压开关推拉门开启系统,边柜内部配有一个搁板。我们还提供同款悬挂柜。

设计师选择了传统的几何图案作为装饰,相对于图案形状来说,其色彩的处理更加确定了整体效果。这是他在职业生涯中特定的一段时期使用的一种图案。这个想法可以追溯的上世纪六十年代,那时他花费了大量的时间进一步发展它。在每一块矩形图案上,白光分解为色环中的八种颜色,颜色的使用让光变得可视。每一块矩形图案由相对的互补对构成,以求得到最大色彩亮度。

这款边柜桌腿为拉丝金属质,柜门由天然枫木镶嵌制成。柜门使用全新按压开关推拉门开启系统,边柜内部配有一个搁板。我们还提供同款悬挂柜。

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设计师选择了传统的几何图案作为装饰,相对于图案形状来说,其色彩的处理更加确定了整体效果。这是他在职业生涯中特定的一段时期使用的一种图案。这个想法可以追溯的上世纪六十年代,那时他花费了大量的时间进一步发展它。在每一块矩形图案上,白光分解为色环中的八种颜色,颜色的使用让光变得可视。每一块矩形图案由相对的互补对构成,以求得到最大色彩亮度。

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Jorrit Tornquist

Jorrit Tornquist was born in 1938 in Graz, Austria.  Since 1992, he has also become an Italian citizen. He is above all a painter. He teaches light-colour at Milan Polytechnic, Faculty of Industrial Design, at the Faculty of Architecture in Graz and in the Carrara Academy in Bergamo. He has been studying colours and perception for forty years.
He started from a very scientific and ecological approach, based on accurate experiments on colour, density and clarity and on the analysis of the complementary effects, according to the Concrete Art tradition. Subsequently, the artist became aware of the insufficiency of an art, which was limited to geometric and programmed projects. Therefore, Tornquist elaborated his own "Theory of Colour", based on his technical knowledge, together with personal sensibility and studies about colours effects on mood. The merger of scientific and psychological elements in the work, his attempt to conciliate the colour structural-chromatic value with the sensitive-affective value, in fact, are the artist's actual innovations.

Jorrit Tornquist

Jorrit Tornquist was born in 1938 in Graz, Austria.  Since 1992, he has also become an Italian citizen. He is above all a painter. He teaches light-colour at Milan Polytechnic, Faculty of Industrial Design, at the Faculty of Architecture in Graz and in the Carrara Academy in Bergamo. He has been studying colours and perception for forty years.
He started from a very scientific and ecological approach, based on accurate experiments on colour, density and clarity and on the analysis of the complementary effects, according to the Concrete Art tradition. Subsequently, the artist became aware of the insufficiency of an art, which was limited to geometric and programmed projects. Therefore, Tornquist elaborated his own "Theory of Colour", based on his technical knowledge, together with personal sensibility and studies about colours effects on mood. The merger of scientific and psychological elements in the work, his attempt to conciliate the colour structural-chromatic value with the sensitive-affective value, in fact, are the artist's actual innovations.