Famous artists and designers well known on the international scene such as Aldo Rossi, Emilio Tadini, Bruno Gregori, Hsiao Chin, Robert and Trix Haussmann and Fausta Squatriti exclusively created for Laurameroni paintings to be reproduced, using the ancient inlay technique, on a sideboard characterized by essential lines.
Laurameroni Art Collection sideboards feature a mosaic created through various kind of wood veneers, in different essences and colours, patiently combined to reproduce the artist's original painting.

The Intarsia Collection was created to appreciate and relive the local tradition of an ancient technique: that of inlay. They are a product designed to be reproduced in a limited edition and in numbered pieces, signed and certified by the artists and craftsmen themselves.
Intarsia also represents direct contact with simple and pure raw materials, taking shape through the manual skill and scrupulous dedication of our craftsmen, reinvented and modernized by the imagination and experience of our designers.

The sideboards of the Intarsia Collection are design furniture transformed into real paintings.

Emilio Tadini was an Italian painter, writer, poet, essayist, playwright, translator and journalist, president of the Brera Academy of Fine Arts in Milan from 1997 to 2000.
His artistic work was intense and fruitful, and he devoted himself to painting and drawing, sculpture, the application of art in textile and furniture design and advertising.

Emilio Tadini is considered one of the most original characters of the post-World War II cultural debate in Italy and is an exponent of an art populated by a surreal atmosphere in which literary, dreamlike elements, characters and everyday objects converge. In fact, in his works the laws of space and time, as well as those of gravity, are totally canceled.

Reading the concept expressed by the E.T.1 sideboard, as well as all his works, requires tools of a conceptual nature. The apparently simple and immediate images hide multiple meanings, expressing the most introspective and personal, sometimes intellectual, political and critical variants of British Pop Art.