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At Salone del Mobile.Milano 2026, Laurameroni presents a stand conceived as a sequence of interiors, where furniture, wall systems, and finishes are composed as one continuous design language.
Each room is built on proportion and detail, allowing surfaces to guide the eye through shadow, reflection, and depth.
The project reflects Laurameroni’s approach to bespoke interiors: craftsmanship as method, material as presence, and Surface Design as the thread connecting objects and architecture into a coherent whole.
Materials beyond Limits is an invitation to rethink material beyond its conventional boundaries, and beyond the very notion of a fixed end use.
Laurameroni Stand at Salone del Mobile.Milano 2026
The 2026 creative concept focuses on finishes and artisanal processes as design tools. The intent is not to add ornament, but to expand a material’s potential, exploring how it can shift in character, scale, and context.
For this edition, Laurameroni also introduces the new Office catalogue. The workplace is presented as an interior with the same tailoring mindset as residential projects: precise proportions, uncompromising execution, and a refined material identity that adapts to contract environments while remaining unmistakably Laurameroni.
Discover the exclusive book showcasing all the recent editions of the Salone del Mobile in Milan by Laurameroni. A collection of inspiring images capturing the essence of each exhibition, reflecting the brand's commitment to design innovation and artisanal excellence.
Deli table with Calacatta Viola marble and Liquid Metal Raptor Bronze top and base, surrounded by four Amelie chairs with Nubuck Leather 2150 upholstery and Shellac Red shell.
The living area is conceived as a layered domestic interior, where calm volumes and sculptural surfaces coexist in measured balance. Dark backgrounds set a quiet rhythm, while reflective accents capture light and return it in softer, fragmented tones.
Within this atmosphere, furniture becomes part of the spatial composition. The new Memories bookcase appears as a modular, double-sided architectural element, with side panels in Liquid Metal Raptor Bronze and shelves in Shellac Red.
The Terre bar cabinet extends the same material sensitivity into a more intimate, tactile gesture. Its prismatic geometry echoes the collection’s trapezoidal language, presented with Nubuck leather and Shellac Red elements.
Comfort is expressed through generous upholstered forms and carefully selected finishes. The new Keila armchair, upholstered in Cloud 6048 leather, brings a calm, tactile presence.
New Prisma Decorative Wall Panels in Brushed Bronze Lacquer, Brushed Stained Larch, and Nubuck 2150 Leather.
Infinity desk with Glossy Shaded Lacquered Green top and Lacca 61 Antracite legs.
The first Office space interprets the workplace through graphic clarity and controlled tension. The composition is rigorous, yet never cold: surfaces carry depth, and the architecture of the room is shaped by rhythm and alignment.
The desk is conceived as a central volume, precise in profile and calibrated in presence. Around it, wall systems and storage elements extend the same language, alternating tactile panels and reflective accents to define an atmosphere of focus.
Infinity wall panels in walnut “Colore” and Conga 14662-204 fabric.
The new Infinity wall panels introduce a refined, modular wall composition, designed to bring texture and depth into the space without adding visual weight.
The result is a wall system that feels both tactile and architectural, shaping the room through rhythm, alignment, and proportion.
Lounge area featuring three Infinity low tables in Lacca 61, the Duetto sofa, two Amelie armchairs upholstered in velvet with shells in Liquid Metal Raptor Tin, the Cono da Terra floor lamp, and the new Circle screen in Liquid Metal Raptor Tin paired with Brushed Matt Lacquered Green finish.
This space suggests a contemporary workplace where function is expressed through proportion, and identity is carried by material restraint.
Executive desks, meeting tables, and seating—developed as one coordinated system for bespoke workplace projects. The catalogue also includes wall systems, storage, and architectural surfaces, so each office can be designed as a complete, coherent environment.
Talento desk with a Dark Bronze Delabré structure and top, with drawers in Liquid Metal Tin Plain and Liquid Metal Unlimited Tin. Talento bookcase with Dark Bronze Delabré structure and shelves, with doors in Liquid Metal Unlimited Tin.
The second Office area offers a more enveloping interpretation of the executive environment. Volumes are softened, edges are rounded, and the space is built through a measured interplay of solids and voids.
Surfaces alternate depth and reflection with control, creating a setting that feels composed, personal, and quietly authoritative.
The meeting area is centered around the Talento table, defined by a Brushed Colorado marble top and paired with legs in Glossy Lacquered RAL 8004, refined by Colorado marble accents. Around it, Kris chairs add a warmer, tactile note.
The backdrop is completed by the new Talento decorative panels in Glossy Shaded Lacquered RAL 8004, creating a continuous chromatic field that shifts subtly with the light. Overhead, a three-element composition of Ma 05 Glass pendant lights adds a final, measured layer, introducing transparency and soft reflection into the meeting setting.
In this environment, material becomes a code for function and hierarchy. Reflection is never decorative: it is calibrated, placed, and balanced so the workplace feels composed, personal, and quietly authoritative.
The materials library is the tactile core of the stand. It is a place for selection, and for understanding: how a surface catches light, how texture changes the perception of volume, how craftsmanship can transform the same base material into entirely different atmospheres.
Here, Laurameroni’s research is presented through a curated sequence of finishes. Each sample is a fragment of a broader vocabulary that can move seamlessly between wall systems and furniture, residential and workplace contexts.
Material is presented not as a catalogue of options, but as a design language to be composed, layered, and tailored to each project.
Succulenta armchair upholstered in Manitoba GRS 01 fabric, with cushions in Coil 03 fabric.
Succulenta is an armchair inspired by the natural geometries of succulent plants. Its silhouette is compact and continuous, built from generous volumes that suggest comfort through form alone.
Presented with a seat upholstered in Manitoba GRS 01 fabric and cushions in Coil 03 fabric, Succulenta expresses a soft, tactile presence. The textile amplifies the depth of the curves, allowing light to trace delicate shadows across the surface and emphasizing the armchair’s enveloping character.
The selection of finest materials, such as woods, marbles, metals, glass, stones or leathers.