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Tray Tray Collection
Tray Collection
Set of modular coffee tables with tubular base in etched metal with "tray effect" and top in wood, marble, stone or crystal, available in various sizes and heights.
The Tray coffee tables, with a modern and creative design, are designed to create magnificent multiple compositions of juxtaposition and overlapping.
Thanks to the numerous finishes available and the different sizes, they offer the chance to play with materials, shapes and colours to create flexible, artistic and personal pieces and compositions.
Set of modular coffee tables with tubular base in etched metal with "tray effect" and top in wood, marble, stone or crystal, available in various sizes and heights.
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The Tray coffee tables, with a modern and creative design, are designed to create magnificent multiple compositions of juxtaposition and overlapping.
Thanks to the numerous finishes available and the different sizes, they offer the chance to play with materials, shapes and colours to create flexible, artistic and personal pieces and compositions.
Composition of five Tray coffee tables in four sizes and five finishes: Rye Straw, bronze back-painted glass, Ziricote, Alambra Brown marble and Garza finish.
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The different sizes and heights allow the creation of customized compositions.
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Playing with Laurameroni woods, marbles, glasses and lacquers, it is possible to create extremely personalized artistic compositions.
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Технические данные
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Материалы
Гладкое дерево
Клен
Дуб
Тиковое дерево
Zebrano
Орех каналетто
Орех каналетто
красное дерево
Черное дерево
Дуб "Termocotto"
Палисандр
Венге
Особые породы дерева
Ziricote
"Faggio Antico"
Rosewood "India"
Stone Oak "Carbone"
Stone Oak "Tabacco"
Орех "Colore"
окрашенная древесина
Titanium AL1105
Grey AL1106
Sand AL1851
Black AL1853
Анилиновая краска
Доступно во всех цветах палитры RAL
Мраморная столешница
Alambra Brown
Elegant Brown Spazzolato
Emperador Brown Light
Oyster White Lucido
Port Laurent Spazzolato
Sahara Noir
стеклянная полки
бронза заднее лакированное стекло
Серебряный заднее лакированное Олово
"Золото" заднее лакированное стекло
медь заднее лакированное стекло
Специальные виды отделки
инкрустация “Paglia di Segale”
Garza Gold
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Материалы
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Каталог Armchairs, Sofas & Low Tables
ПОЛЕЗНАЯ ИНФОРМАЦИЯ
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Технические данные
Размеры и детали
Техническое описаниеДетали
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Материалы
Отделка и персонализация
МатериалыВсе виды отделки
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Каталог
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Каталогскачайте
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Изображения
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ИзображенияВысокое разрешение
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CAD - Файлы
Скачайте CAD - Файлы
CAD - Файлыскачайте
ЗАПРОСИТЕ ИНФОРМАЦИЮ
ПОЛЕЗНАЯ ИНФОРМАЦИЯ
Клен
Дуб
Тиковое дерево
Zebrano
Орех каналетто
Орех каналетто
красное дерево
Черное дерево
Дуб "Termocotto"
Палисандр
Венге
Ziricote
"Faggio Antico"
Rosewood "India"
Stone Oak "Carbone"
Stone Oak "Tabacco"
Орех "Colore"
Titanium AL1105
Grey AL1106
Sand AL1851
Black AL1853
Анилиновая краска
Доступно во всех цветах палитры RAL
Alambra Brown
Elegant Brown Spazzolato
Emperador Brown Light
Oyster White Lucido
Port Laurent Spazzolato
Sahara Noir
бронза заднее лакированное стекло
Серебряный заднее лакированное Олово
"Золото" заднее лакированное стекло
медь заднее лакированное стекло
инкрустация “Paglia di Segale”
Garza Gold
Скачать
Материалы
ROMANI SACCANI Architetti Associati
Fellow students since 1990, Michele Romani and Mauro Saccani, opened their associated studio in 1999.
Each of their concepts stems from a conscious inspiration from the past, as an act of synthesis between fantasy and concreteness.
A "mimesis" in the classical sense of the things of nature that are worthy of being reproduced, mediated by their own interpretation and by a constantly evolving sensitivity.
A suggestion translating into a simple but not trivial idea, understood as the ability to communicate the authentic meaning of things, as the first form of elegance and of rejection of the excess and habit of things.
ROMANI SACCANI Architetti Associati
Fellow students since 1990, Michele Romani and Mauro Saccani, opened their associated studio in 1999.
Each of their concepts stems from a conscious inspiration from the past, as an act of synthesis between fantasy and concreteness.
A "mimesis" in the classical sense of the things of nature that are worthy of being reproduced, mediated by their own interpretation and by a constantly evolving sensitivity.
A suggestion translating into a simple but not trivial idea, understood as the ability to communicate the authentic meaning of things, as the first form of elegance and of rejection of the excess and habit of things.
